Night Air: Shock Waves

vrijdag 5 november 2021

Doors: 19:00, Support: 19:30, Main programme: 19:30

Important: To gain access, please bring the following:
1. Your ticket for this programme.
2. Your personal COVID Certificate in the Dutch CoronaCheck app, a CoronaCheck print or the QR code in your EU country's corona app.
3. An official photo ID.

Without these three items, entry is not granted. Please set up your QR code before traveling to Paradiso to reduce delays at the doors. If you do not have a full vaccination or recovery certificate in your CoronaCheck app or DCC from a EU country, or are visiting from outside of the EU, you need to book a COVID test to within 24 hours of the start of the event through testenvoortoegang.org. Other test results are not valid. Check this page for more information.

On Friday 5 November from 20:00, Sonic Acts marks a new season of Night Air events with Shock Waves at OT301 in Amsterdam. In an evening of talks, performances and films, Shock Waves considers the materiality of sound as a powerful means of resistance and control.

LINEUP
Elena Cohen
María Edurne Zuazu
Yann Leguay
Noise Diva
whiterose
N/pantla, installation by Paula Montecinos & Pedro Matias

FILMS by Aura Satz
Between the Bullet and the Hole (2015)
Preemptive Listening Part 1: The Fork in the Road (2018)

Sonic weapons like the Long-Range Acoustic Device (LRAD), ‘roof knocking’, or ‘music torture’ are frequently used as part of the arsenal of state violence. Elena Cohen’s work as an attorney and professor specialised in repressive police practices offers case studies of how these can be deployed in protest, detention, and warfare, causing a range of harm from disorientation and psychological distress to permanent internal damage. As María Edurne Zuazu writes in Loud but Non-lethal: Acoustic Stagings and State-Sponsored Violence, such instruments rely on high-intensity and focused sound to suppress individuals by impairing their auditory systems. Yann Leguay’s performative lecture speaks to the dematerialisation of sound and the evolving effects of interfaces, featuring an electrical arc produced by a plasma speaker so powerful that it emanates magnetic disturbance. The two films by Aura Satz approach sonic obedience and disobedience through the trope of the siren and investigate ballistics as a field of study in relation to the role of women in early computing.

If the energy of sound can be harnessed to cause harm and stifle dissent, it also constitutes a creative field for confrontation and resistance. Paula Montecinos and Pedro Matias’ installation N/pantla presents a corporeal debordering of fractured sound – addressing how intimately tied gendered and racialised capitalism are to our communal sense of self-preservation, while performances and DJ sets by local artists whiterose and Noise Diva invite us to embody dissonance and noisemaking on the dancefloor.

NIGHT AIR
Night Air is a series of events from Sonic Acts that aims to make pollution visible by bringing forth the various side-effects of modernity: from colonial exploitation of people and resources to perpetual inequalities brought about by the destruction of the environment and common land – in other words, destructive capitalist practices that shape both our environment and human-nonhuman relations.

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